More on Good and Faithful Musicians Part 3

More on Good and Faithful Musicians Part 3 

            I strongly believe that the good and faithful musical leader should and must be moved deeply by the message of the music that is being used as a worship vehicle.  It is one thing to be moved intellectually by the meaning of the music but it is another to have the dunamis (1411) of the Spirit which  I believe comes to only to good and faithful Spirit filled musical servants.  As I have often stated in my philosophical writings that many Christian musicians seem to forget the great musical discourse in the fifth chapter of Paul’s Epistle to the Ephesians not only includes verse nineteen but also verse eighteen that states, “And be not drunk with wine, wherein is excess; but be filled with the Spirit.”  To me, what is taught in verse nineteen can only happen to those who are living a life in the Spirit.  I believe that verse eighteen teaches a continual life in the Spirit after the Christian is once filled.  The good and faithful musical servant that is spoken of in the fifth chapter of Ephesians is also admonished to let the Holy Spirit have control of his or her life and music ministry. 

            The influence of the Divine upon the human can and should be a reality in the twenty first century.  The musician who is touched and moved by the Holy Spirit has the right to be passionate about the music that he or she uses as a vehicle of worship.  All of the Christian musicians that I have had the privilege to know, who were accomplished musicians, have been very passionate about their secular musicing.   However, some of them believe that their sacred musicing should be very sedate and staid and should be executed in a manner that is seemingly almost detached from any passion or emotion.  I see no place in Scripture where Christian musicians are instructed to perform sacred music in a manner that is devoid or outward emotion; outward evidence of meaning (understanding); or outward physical expression of being passionate about the music being performed .  Therefore, I am drawn to the philosophical conclusion that although sacred musicing is very serious business, we may and should perform it with joy.