Published

To purchase a new, signed copy of any of these books directly from Garen Wolf, email him at  garenlwolf@gmail.com.


Music of the Bible in Christian Perspective
  by Garen L. Wolf, I

Music of the Bible in Christian Perspective
 
This book is a Greek and Hebrew word study on music of the Bible.  All of the words are transliterated into English and are given reference numbers from Strong's Exhaustive concordance.  This book is written for the non-biblical language  reader.  One of the things that makes this book unique is that it is written from a Christian perspective.   At the end of each chapter you will find study helps and applications to twenty-first century church music.  The eigth chapter includes a discussionof the history of music in Bible perspective and  also includes  a detailed explanation of the use of the te'amim i.e. the "accents".




Church Music Matters by Garen L. Wolf, I
(note:  the amazon stock photo is incorrect)





This  book is a philosophy of music which is written from a Christian Perspective.  It is a philosophy that attempts to cover the whole of music.  The author bases each philosophical topic on Scripture. This book is keyed to Strong's Exhaustive Concordance.


















How to determine what music is acceptable to use in worshiping God. Since God created all things,including the formal properties of music (the nuts and bolts of music that make it what it is capable of being), what a musician does with these properties of music makes him responsible to the Creator. The author engages his extensive knowledge of the original meanings of ancient Hebrew, Aramaic and Greek musical terms to address the modern day “worship wars.” He examines artistic underpinnings to modern music movements and consider multiple hot topics: ·Is all music equal? ·Does being “seeker sensitive” trump all other considerations? ·Does God have an opinion on what music is used to worship Him? ·Is it enough for music to be beautiful? ·What makes for acceptable and unacceptable worship music? ·Is all modern music to be rejected, or endorsed? ·What is the proper priority for hymns, gospel songs, praise choruses and other sacred music? This is not a simple judgment of what is right or wrong, but rather a finely-honed tool to assess how one chooses music, and why.   This book is keyed to Strong's Exhaustive Concordance.













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