The Work of the Holy Spirit in Music Ministry-Part 5
There
are at least two things that church musicians must remember: First, we had better not
get so busy with our own program that we shut out the divine influence of the
Holy Spirit on our singing and playing.
We had better be more concerned with “Holy Spirit anointing” than with
performing and “production”. Second, we
had better not take singing away from the congregation. It is through these psalms, hymns, and
spiritual sons that the (Logos) or Word of God dwells in abundance in the heart
of the believer. It is a dangerous move
when the church makes the decision to cut congregational singing back to one
song so that we can have more “special music”.
If we are not careful, the corporate musical worship experience will
disappear and the congregation will be reduced to “spectators”. At this point the church becomes plagued with
the performer-listener syndrome.
What is
meant by Spirit-filled singing of psalms, hymns, and spiritual songs? What are these songs? They are heart-felt emotions. Emotions!!! Yes, emotions! Religious expression in singing should not be
only emotion, but it should be emotional.
Spiritual singing should express
strong generalized feelings caused by a series of complex spiritual reactions
brought about by a holy heart-life.
From where do these songs come?
They exude from a Spirit-filled “heart-life”. Jamison, Faussett, and Brown believe that:
The Colossians 3:16 statement, “singing with grace in your
hearts” means “sing with grace” or “in grace”... “the grace of the indwelling
Spirit” [i]
It is very important for church musicians to stay on their
knees until they receive the grace of the indwelling Spirit and anointing for
service and until their music comes forth from the inner man, who is saturated
with the presence of God. Ephesians 5:19
says, “Making melody in your heart to the Lord”. These melodies begin as effusions of the
inner life. They are a pouring forth of
the unrestrained emotions of a life in the Spirit. They are the expressions or “melodies” of the
Spirit-filled heart. Such Spirit-filled
singing not only engages the intellect, but also the heart as well. I Corinthians 14:15b states, “I will sing
with the spirit, and I will sing with the understanding also.” Biblical exegetes generally allow that
(pneuma 4151) should here be rendered Holy Spirit and that (nous 3563), the
word translated understanding should be rendered intellect, i.e. I will sing
with the power of the Holy Spirit and with the power of my mind. These Holy Spirit influenced outpourings are
much more than mental or aesthetic performances or mere musical events.
[i] Jamison,
Fausset, Brown , One Vol. Ed. p.453
No comments:
Post a Comment