Knowledge Must be
Accompanied by Faith—part 5
If any authors’ writings are to be considered
to give an accurate account of how the ancient Jews worshiped with music, those
writings which are most ancient, both biblical and extra-biblical, should be
treated with great respect. Certainly
the ancient Old Testament biblical record should be treated with great respect
regardless of whether or not one believes it to be inspired by God. Those of us
who do trust the authenticity of the Old and New Testaments should be reminded
that 2Timothy 3:16 attests to the fact that “All scripture is given by
inspiration of God, and is profitable for doctrine, for reproof, for
correction, for instruction in righteousness: That the man of God may be
perfect, throughly furnished unto all good works.”
Modern
day students of the Old and New Testaments have a tendency to believe that it
is perfectly proper to translate the ancient Old Testament with sentences that
are not literal representations of the Hebrew and Aramaic words in order for
Scripture to be made more easily understood
by the twenty-first century reader.
Although the modern redactor of Scripture may get up in the morning and
say, “I’m going to change the wording of that verse in the Bible”, the last
thing that would have gone through an ancient Jewish scribe’s mind would have
been to spend his day altering the Holy Writ.
We have evidence of this carefulness from the common historical
knowledge that for manifold centuries the ancient Jewish scribes purposed to “build
up a wall around the Torah”. As a matter
of fact it is believed by some scholars that even the ancient abbreviated
manuscripts called the Serugin were an attempt to “build up a wall around the te’amim”
(the cantillation signs i.e. musical notation found below and above the entire Hebrew
and Aramaic texts of the Bible).
Note: this series will be continued on April 2, 2015.
Note: this series will be continued on April 2, 2015.
No comments:
Post a Comment