Ideologies Affecting Music and
Musicing-Part 1
There
are a number of terms that writers have used over the past few decades to refer
to the various ideologies that have affected and are still affecting music and
musicians. Writers often refer to the
terms modern, contemporary, postmodern, post-Christian, and now post postmodern
thinkers. The term contemporary simply means
that which exhibits the characteristics of present or recent times. One who adheres to conforms to current
tendencies at the exclusion of traditional ways of ministering through the art
of music or builds a music philosophy based on modern standards of
“correctness” and “knowing” is a “modern” music minister.
A distinction must be made between “modern”
and “up-to-date”. Modern connotes a new
way of “thinking” or “knowing” about musicing.
Up-to-date connotes thinking new things about musicing. Conservative traditional “thesis thinkers”
(those who believe that there is right and wrong; proper and improper;
appropriate and inappropriate) must not make the mistake of confusing the
two. If this mistake is made, the
conservative Christian will become an “antiquer” – one who reveres only old
things.
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