Not only Beautiful but
also Suitable—part 5
At this point in this discussion you are
possibly anxious to know how one is to go about insuring that his or her sacred
musicing is “suitable to the subject”.
As I stated earlier sacred musicing is not only about beauty but also about
suitability. Suitability connotes profundity
when one is considering sacred music and musicing. Choosing profundity over banality is a matter
of the wise Christian making prescriptive choices of which music he or she
selects as the best possible musical offerings to present to God.
A laissez-faire attitude about the musical
offerings that a Christian musician presents to God gives possible rise to the
musician’s musicing becoming autonomous.
The attitude of no rules and no regulation has permeated the music
ministry of postmoderns and now post-postmoderns in this century. One of the problems that some Christian
musicians have today is that they consider themselves music artist performers
rather than musical servants. When you
hear a musician say words like “my music”, my style”, “my rights” and” my
performance” you know that this church musician owns the music he or she
performs and that this person is a religious humanist. Any time that a musician is preoccupied with
developing his or her human potential musical servanthood is low on that
musician’s priority list. Personal
performance aggrandizement will be the covert and overt goals rather than being
a “good and faithful servant” (see Matthew 25:21 and 23).
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