Friday, June 6, 2014

Musical Meaning in Musical Sounds part 3

Musical Meaning in Musical Sounds part 3 

 If music had the capability and power to send clear or unclear messages to the people of ancient Israel and during New Testament times, surely it has no less power over audiences today.  Therefore all Christian musicians must take great care about the musical techniques they use in their musicing unto God. Ancient cultures, including their philosophers, believed that music had great power and expressed meaning.  It has been only modern philosophers in the second half or the twentieth century, including many church musicians, who have believed that music was (and is) not capable of saying anything. 
I am well aware that this mention of music is found in the midst of St. Paul’s discussion of the controversy over known and unknown tongues. However, Paul made part of his point by this discussion of music and musical instruments. I believe that there is absolutely no reason to discount what this great linguist wrote here, under the inspiration of the Holy Spirit, about the message of music having distinction if the notes are played accurately.  It is a mistake thing to try to write musical meaning into places in the Bible where music is not mentioned, but it is just as big a mistake to ignore music when it is mentioned as succinctly as it is here in Paul’s first letter to the Corinthians.  I might also point out that the musical discourse in the sixteenth chapter of I Samuel, which is a discussion of music therapy, also does not mention singing any words.  The musical that David’s kinnor produced when he played with his fingers was efficacious without the use of vocal music.  The therapeutic effect was produced by the sounds i.e. the notes produced on the kinnor.

 

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