Humanism and Music Philosophy
To many people who read
a work on philosophy of music, an author that rejects humanism is considered to
be either a bigot or at least a writer who has been hiding under a rock. So, I
will define some basic understandings of what being humanistic is generally
considered to be. A simplistic definition of a humanist is a person having a
strong interest in or concern for human welfare, values, and dignity. A
simplistic definition of humanistic is being concerned with the interests and
welfare of humans. However, a more realistic definition of one who is
humanistic is one who adheres to the philosophy which often rejects religion in
the process of asserting human dignity and man's capacity for fulfillment and
self-actualization. Therefore, I find myself at loggerheads with what humanism
really stands for as it is played out in the philosophy and praxis of a
musician. Furthermore, there are music philosophers who are secular humanists
and others who are religious humanists. They both believe that all musicing
begins and ends with man. Therefore, in reality they are in reality autonomous
musicians.
I am not a humanist,
but I am concerned with the interests and welfare of humans. To not be
concerned about the welfare of others would not be Christian because Jesus said
in Luke 10:27, “Thou shalt love the Lord
thy God with all thy heart, and with all thy soul, and with all thy strength,
and with all thy mind; and thy neighbor as thyself.” However, much of my philosophic writing
openly rejects what humanism has come to mean. So, when either secular or
religious musical humanism is discussed in my book, the reader must remember
that I am in no way advocating denying the human rights of musicians or that I
do not care about musicians as humans. I am simply rejecting the philosophy
that music begins and ends with self. I also reject any path toward a music philosophy
that rejects theology; what the Bible teaches about music and musicing ; and
musicing outside of the Lordship of Jesus Christ .
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