Remembering
God as the Object of Worship
In the process of developing a Bible based
Christocentric music philosophy and praxis the following should be seriously
considered: Who is the center of public worship? Is it man or God who is honored in the
worship experience? Who receives the
preeminence? Is worship an event or the
Christian’s response to God? Whom should
the musician strive to please with his or her musicing? Is it proper for God to share the glory of
the worship experience with a performer?
Should there be any difference in the music part of the music that a
Christian musician considers to be sacred or profane? Are these differenced apparent when one
musics unto God?
When in
a musician’s musicing there is no difference made between sacred music and
secular music that is composed to appeal to the lust of the flesh, will this
musicing be appropriate and congruent with the purposes of worshiping God? These questions must be answered by every
Christian musician who personally musics unto God and leads others in musicing
in the context of public worship. When
it comes to using music as a vehicle of worship, the end does not justify the
means. The notion that sacred musicing
must please the worshiper. What about
pleasing God? What about using worship
vehicles that properly represent the moral nature of God? Somewhere in every Christians music
philosophy and praxis, the concept of God as the sole object of worship must be
considered.
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