ARE WOMEN MUSICIANS MENTIONED IN THE BIBLE? Part 5
Now let us look at some reasons why
women were excluded form music in the Temple.
Although we know that women were involved in non-Temple public religious
music, Curt Sachs explains some conservative changes in the music of the
Temple. "Firstly, almost all
musical episodes up to the time of the Temple describe choral singing with
group dancing and drum beating. . . And secondly, this kind of singing was to a
great extent women's music. . ." Curt Sachs, The
Rise of Music in the Ancient World, p. 90. He stated
furthermore that, "The essential fact is that such a species of music
exists and is strictly separated from men's music both in style and
performance." Ibid. p. 91. Sachs also quoted Dr. Lachmann, a writer on
Jewish cantillation, "The production of the women's songs is dependent on
a small store of typical melodic turns; the various songs reproduce these turns
- or some of them - time and again."
Ibid.
p.91. He also quotes Lachmann as saying, "The women's songs belong to a
species, the forms of which are essentially dependent not on the connection
with the text, but on processes of movements.
Thus we find here, in place of the free rhythm of cantillation and its
very delicate line of melody, a periodical up and down movement.” Ibid, p. 91. Finally, he
quoted Lachmann as saying, "The women accompany their songs on frame drums
or cymbals which they beat with their hands." Ibid, p. 91.
Thought for the Day
It is a strange
and novel thought to many church musicians that men’s and women’s music was
essentially different in ancient Israel.
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