Did
Ancient Music Utilize Harmony? Part 4
It seems,
from what is currently known about the psalmodic and prosodic systems, that
both systems possibly utilized instrumental accompaniments at least part of the
time since these ancient musicians were often referred to in the Bible as
singer-players. Since the deciphering of
the te’amim revealed only melodies without written harmony, (although harmony
may be in some way be implicated), we cannot say with certainty how much of the
OT was accompanied. However, it should
be pointed out that instruments were mentioned in conjunction with singing in
the OT. It seems to be reasonable to
conclude that the mention of musical instruments with singing indicates musical
accompaniment and also connotes some form of harmonic usage.
The fact is that we
do not know with certainty how the psalms were accompanied or if the prosody of
the OT was not accompanied at times. It
is highly possible that the accompaniments of bible music were never written
down. It is possible that they were
improvised or perhaps realized from the melody line provided by the
te’amim. Some musicians who specialize
in the performance of Western music of the classic, romantic, and contemporary
periods do not highly regard improvisation or realization, but there is no
doubt that various forms of improvisation are just as demanding and just as
much an art form as playing a written out sonata or playing symphonic literature for that matter.
Thought
for the Day
The ancient music system referred to in the
previous posts was a precise system that did not encumber the ancient biblical
scrolls because of its economy of musical signs. If the ancient biblical scrolls had have
utilized our system of modern notation, the Scriptures would have been greatly
encumbered with a tremendous bulk of musical notation.
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