Blended Music Before “Blending” Was Cool-Part 1

Blended Music Before “Blending” Was Cool-Part 1

       About 100 years before blended music for worship became popular in public worship as part of the worship the worship renewal movement, Elisha A. Hoffman wrote the words to “What a Wonderful Savior”.  This song may be defined as a gospel hymn.  There are several definitions given for the gospel hymn by various authors.  These definitions run from a “mixture song” which includes praise to God mixed with clear fundamentalist doctrine to “simple songs with an elaborate chorus”.  Some of the definitions that I have found have been positive but others are very negative considerations of this musical genre especially because they stress adherence to the fundamental doctrines of the Bible.

        Notably, the early gospel hymns were developed first by George Root (1820-1895), William Howard Doane (1832-1915), Robert Lowery (1826-1899), Philip Bliss (1838-1876), et al.  There have been a host of writers who have produced these mixture songs in the 20^th century.  Current writers are particularly negative about gospel songs that exhibit clear fundamentalist doctrine and the fact that these songs are quite simple harmonically .

Thought for the Day

1.    Although a host of millennials who now lead worship believe that gospel songs are not relevant in this century, I have never seen the results of any research study that supports that notion. 

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