Tracing Music’s Origin—part
1
Note: Those who are new to my blog should understand that when you see "part 1" it indicates that series of related pots is starting. Also, each "part" will make no attempt to draw ending conclusions.
Note: Those who are new to my blog should understand that when you see "part 1" it indicates that series of related pots is starting. Also, each "part" will make no attempt to draw ending conclusions.
Music
theorists and historians have stubbornly resisted the fact that the ancient
Hebrew Scripture helps us to identify the beginnings of music. Scholarly sources like The New Oxford History of Music report, “It is very difficult to
say anything definite about the origin of music, because the phenomenon is
quite outside the range of our observation.
Even in those primitive civilizations that still exist there is no race
so primitive that it can be considered a relic of the beginning of human
culture.” The New Oxford History of Music, Vol. I Egon Wellesz p.5 It
is a mistake to look for the origin of music in any existing remnant of early
civilization but rather in the Old Testament Scriptures. It is true that the Pentateuch is relatively
silent as to the specifics of the beginnings of music. However, we do know that God imparted musical
knowledge to man before the flood.
Genesis 4:21 states that Lamech’s son Jubal “was the father of all such
as handle the harp and organ.”
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