Review of
Tim Fisher’s The Battle for Christian
Music
This
book is an excellent discussion about Christian music. Although his work has been wrongly accused of
being biased eisegesis, this accusation was made without scholarly basis. The main argument presented has been that
Fisher considers classical music to be God honoring and that such an argument
is unfounded since such music was completely “completely foreign” to the Old
and New Testament eras. Although musicologists are aware that
classical music was not yet developed in ancient Israel, recent deciphering of
the te’amim above and below the
Hebrew and Aramaic texts of the entire OT have proven that the six and seven
note diatonic scale did exist.
Furthermore, the deciphering of the ancient Hurrian song found in the
ruins of Ugarit has been deciphered by Dr. Anne Kilmer et.al. has revealed a
seven note diatonic scale with half steps between 3rd and 4th and 7th
and 8th degrees of the scale. This music also had a harmony part and
a sound quite like what we have in our hymn books. So, perhaps Fisher’s accusers,
being unaware of current scholarship, are incorrect in considering Fischer’s
eisegesis in his book.
Every author
writes from some philosophical viewpoint and from personal music perspective
and preference. After all this is Fishers work so one should expect his work to
be written from a personal perspective. I suggest that you give Fisher’s The Battle for Christian music a fair
read rather than taking his accuser’s word as an excuse to ignore this
excellent presentation.
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